Examples from Ayacucho and Nasca, Peru. At the end of a full day studying the lines, Kosok looked up from his work to catch the sunset in direct alignment with the line.
Much of Nasca art depicts powerful nature gods such as the mythical killer whale, the harvesters, the mythical spotted cat, the serpentine creature, and the most prevalent of worshiped figures, the anthropomorphic mythical being. One of these resembles a human head and is dated to the early period of Nazca culture or earlier, and the other, undated, is an animal.
This chapter provides an overview of these two ancient societies, which figure prominently in discussions of Central Andean prehistory.
However, since the culture that produced these works has been gone for centuries, and left little record beyond the Nazca lines and other artifacts, the truth behind these artworks has been difficult to ascertain.
The town of Nazca was founded in by the Spanish Conquistadores on the Nazca Plateau, without any knowledge of what lay nearby.
Lines and Geoglyphs of Nasca and Palpa. And ina commercial truck driver was arrested after he drove onto a portion of the Nazca Lines, etching deep scars into an area roughly feet by feet about 50 meters by meters.
In Settlement Pattern Studies in the Americas.
Residents of the local villages say the ancient Nasca conducted rituals on these giant drawings to thank the gods and to ensure that water would continue to flow from the Andes. The treatment of human offerings and trophies in ancient Peru. The people worshiped the nature gods to aid in the growth of agriculture.